INTERGENERATIONAL TRANSMISSION OF TRAUMA AND RESILIENCE: PART I

OUR EMOTIONS PROJECTED ONTO TELEVISION, PODCASTS, MOVIES, ELECTRONIC DEVICES (MEDIA AS OBJECT RELATIONS)

HOWARD STEIN FESTSCHRIFT: PART II

PSYCHOHISTORICAL PERSPECTIVE ON AUTHORITARIANISM VS. DEMOCRACY

BOOK REVIEWS

BULLETIN BOARD

CONFERENCES: Our next Psychohistory Forum Work-In-Progress seminar will be on September 17, 2022, when Tom Ferraro, a sports psychoanalyst and columnist, will present on the book he is writing on his area of expertise that Routledge will publish early next year. It remains to be seen if this will be a hybrid meeting or completely virtual. As of now, Fordham University is still not accepting outside groups. The next conference is tentatively scheduled for November 12, 2022.
Jim Anderson’s
much postponed presentation on “Heinz Kohut’s Vulnerable Self, His Reaction to the Holocaust, and his Break with the Psychoanalytic Establishment” will only be presented in person when it is safe. Several other presentations are currently being planned for 2022/2023.
In the late Spring, we had three virtual seminar presentations: Juhani Ihanus (U. Helsinki), David R. Beisel (SUNY), and Paul H. Elovitz’ on May 14, 2022, on “Putin, Zelensky, and Ukraine”; Inna Rozentsvit (Object Relations Institute) on April 30, 2022, on “Transgenerational Transmission of Trauma and Resilience: What It Has to Do with Psychohistory”; and Claude-Hélène Mayer (University of Johannesburg) on April 2, 2022, on “Angela Merkel and Graça Machel: The Comparative Heroine’s Journeys of Two Women Leaders.” Inna Rozentsvit handled the technical aspects of the meetings.
At the International Psychohistorical Association’s (IPhA) 45th Annual conference on May 19-21, 2022, and July 25- 26, 2022, the following Forum members presented: Marc-André Cotton, David R. Beisel, Michael Britton, Brian D’Agostino, Brigitte Demeure, Paul H. Elovitz, Ken Fuchsman, Gabriela Gusita, Dorothea Leicher, Susan Kavaler-Adler, Irene Javors, Ruth Lijtmaer, Claude-Hélène Mayer, Jamshid Marvasti, Inna Rozentsvit, Bob Samuels, Krystyna Sanderson, Howard F. Stein, and Pamela Steiner.
The Association for the Psychoanalysis of Culture and Society (APCS) will meet at Rutgers in New Brunswick Hybrid Conference on October 20-23, 2022; and the Interdisciplinary Conference of the Forum for Psychoanalytic Education (IFPE) will be held in November 2022.

CONGRATULATIONS: To Michael Maccoby for being honored at a virtual conference on June 18, 2022.

WELCOME NEW MEMBERS: Claude Barbre, Michael Diamond, Nathan Gerard, E. Ethelbert Miller, William McKinley (Mac) Runyan, and Robert Stolorow. 

THANKS: To Benefactors Peter Barglow, David R. Beisel, Thomas Ferraro, Eva Fogelman, Peter Loewenberg, David

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Lotto, Jamshid Marvasti, Candace Orcutt, Arnold Richards, William McKinley (Mac) Runyan, and Mary Peace Sullivan; Patrons Theresa Aiello, Claude Barbre, David James Fisher, Ken Fuchsman, Denis O’Keefe, Peter W. Petschauer, Joyce Rosenberg, and Jacques Szaluta; Sustaining Members James R. Booth, Susan Charney, Hannah Hahn, John Hartman, Susan Kavaler-Adler, Danielle Knafo, Ruth Lijtmaer, and Judith Logue; and Supporting Members C. Fred Alford, Michael Diamond, Nathan Gerard, Christine Good, Susan Gregory, E. Ethelbert Miller, Susan Nimmanheminda, Jack Schwartz, and Robert Stolorow. Our special thanks for thought-provoking materials to Kenneth Alan Adams, Richard Booth, Donna Crawley, Paul H. Elovitz, Marilyn Fabe, Michael A. Faber, Alexandra E. Gibson, Juhani Ihanus, Susan Kavaler-Adler, Julie M. Licata, David Lotto, Jun Lu, Martin Miller, Charles Nuckolls, Peter W. Petschauer, Inna Rozentsvit, Krystyna Sanderson, Burton Norman Seitler, Brenda Solomon, and Howard F. Stein. To Nicole D’Andria for editing, proofing, and Publisher 2016 software application and Professor Paul Salstrom for proofing. Our special thanks to our authors, editors, and numerous overworked referees who must remain anonymous.

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Clio’s Psyche Call for Papers on

Psychology of Music & Musicians

Winter 2023 Issue (Papers due 10/01/2022)

Some possible psychoanalytic/approaches include:

  • What makes music so emotionally powerful? Why & how does music soothe or arouse us?
  • What musical composition, song, or performance has changed your or someone else’s life?
  • How does music connect to personality structures of individuals? Including music that is hated.
  • What is the favored music of historical figures and how does it relate to their personalities?
  • What is the relationship between music and dance and the ideals of a particular culture and time?
  • Why and how has American popular music evolved and been so transformative? What is the impact of race, region, ethnicity, and immigration on this creativity?
  • What makes musicians models, heroes, and heroines to much of the public?
  • What are the similarities in the autobiographies and lives of great musicians?
  • How does psychobiography help us understand music and musicians?
  • What is the changing role of technology in the art, craft, and business of music?
  • What is the role of music in religion? What makes sacred music sacred?
  • What accounts for shifts in taste over time? What does it tell us about the mood, aspirations, fears, fantasies of the shift in zeitgeist historically and emotionally?
  • How does the music of our childhood resonate through our lives?
  • How did rock music festivals such as Woodstock, Altamont, and others impact the culture?
  • Write a psychobiography of a musician.

We seek articles from 1,000-3,000 words—including a 25-word abstract, 7-10 keywords, and your brief biography ending in your e-mail address—by 10/01/2022. Case studies are encouraged. Send articles to .

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